BANGALORE GARDENS RELOADED

No Space To Escape -"TO BE OR NOT TO BE"

As the city growing bigger and bigger everyday and more and more people migrating from various parts of the country and making Bangalore as their home. This constant inflow is leading to a very different transition of development that the city is experiencing leaving the city in a chaotic, claustrophobic and suffocating space. Argument can be good development or a bad development but fact remains that the city has changed drastically and slowly becoming the city like others without any identity except being just a concrete habitat. The cityscape of Bangalore has changed to accommodate flyovers, buildings, roads and metro etc. slowly and rapidly replacing greenery with concrete.

This installation work basically evoke the feeling of helplessness of situation ambushed, suddenly attacked like situation where no space to escape and exit (a trap). In this work the audience will be forced to confront the situation which they normally do it in everyday life subconsciously, but here they will consciously face it directly, there by alerting there mind to counter the question and seek for answers.Visually this work is in form of concrete box, inside the box there will be 360 degree view of existing city they live in, which is with cement and other material. the work  bring in main essential characteristic of city in minimal form. The experience within the box (claustrophobic and suffocating space leaving no space to breath) represent the psychological situation of mind the mental space.

Over powering of concrete and its inevitable super imposed presence in our daily life which is symbolically represents mans thought and body slowly turning into concrete form with no space for nature and not being in touch with ourselves. 

The installation is  memorabilia of the changing phase. The smell of concrete initially will attract the audience hiding danger ahead. This work is a presentation of the dilemma - Development (a distortion) – Good, Bad or Necessary. My idea is to bring the attention where we really need to look and what we really need to think about? This work provokes us to question ourselves where we are leading to? Is this road leading to Utopian land or land where there is no space to live?

Dimple B Shah 2013

RE-FLEX - An essay about a new medium.

Re-flex, the latest project at Bar1 curated by Christoph Storz, or Estee Oarsed

Whether you like it or not, in recent years the banners and hoardings on vinyl, flex etc., are an integral part of the visual city. Bengaluru, with its lax regulations, is plastered with stretches of flex wherever you look. Put up for a short while, they catch your attention and then disappear again. Later the same flex may reappear in a less official role as protective covers against rain and dust. In this second life, the imagery on the material gets ignored. Features of local operators blown up to the size of statesmen might end up upside down, as covers for tempos, makeshift shacks and pushcarts. The second life flex authoritatively negates any pretence and come back into the world of things, where surface is just surface. 

The exhibition curated by Bar1/No Bars, artists and going-to-be artists responded to the public presence of flex and appropriated it in their own ways. 28 artists (Aishwaryan K, Alaka Rau P, Ameer, Anjana Kothamachu, Archana Prasad, Biju Joze, Chaitra Puthran, Charitha, Christoph Storz , Dimple B Shah, Estee Oarsed, Mohan Kumar T, Mangala A M, Meghana Rao, M G Kulkarni, Mohammed Yunees, Prakash L, Rakesh Kallur, Ravi Shah, Ravikumar S M Halli, Sheela Gowda, Shiva Prasad KT, Smitha Cariappa, Subramani J, Shivaprasad S, Suresh Kumar Gopalreddy, Urmila V G and VG Venugopal) were the artists who participated in the show from all over the Bangalore.

- Christoph Storz, or Estee Oarsed

From Left - Alka, Rau P, Dimple B Shah, Ravi Shah, Smitha Carriappa, Aishwaryan K, Biju Joze, Suresh Kumar Gopalreddy, Subramani J, Shivaprasad S, Ravikumar S M Halli, Mangala A M, Rakesh Kallur & Anjana K.