Reverberating Earth

Durational Performance at DER LÄNGSTE TAG / THE LONGEST DAY, Zürich, Switzerland, 21st June 2015.

I had conceived this performance keeping in mind Switzerland, the land of beauty and Nature. I had seen Switzerland in pictures, movie and photographs and had fascination about this beautiful land. My perception was like it is heaven and I wanted to respond to this in my work. Having said that I didn’t wanted to forget where I came from and cultural aspect of my country, my feet fully rooted in my culture and my mind thinking of Switzerland, resonating earth. Metaphorically match with resonance of earth by an act of making PAPAD (round shaped snack, using the act of making the shape as representing earth in the form of drawing).

The idea was to have a long durational performance from morning till evening but attention can be given to me in the evening between 4 pm to 5pm. The PAPAD making is sign of empowerment and self reliance for women in South Asian counties such as India, Pakistan Bangladesh etc., and it is one of the most successful businesses for women coming from poor economic background. I made metaphoric connection to the act of rolling and making PAPAD to vibrating and frequency of earth and ultimately saluting the great land of peace and harmony and also by performing through my body doing PRADAKSHINA (refers to Circumambulation of sacred place) on ground thereby symbolically connecting my body to frequency of the Earth.

Dimple B Shah

2015

Law of Attraction

Performance on the pedestrians of National College and its surroundings, K R Road, Basavanagudi, 6th June 2014.

The fourth work in the series. intervention was with college students and common people who don’t know what they actually want, like If I had known early in my life my connection with art, it might have taken me to greater discoveries. Due to present day competitions and pressure, the younger generation is under lot of stress to choose fields which are more in demand rather than pursuing what their actual dreams are.

Through my Performance Intervention and Interaction, I wanted them to write and read what they actually want. I created a big mirror installation on which the audience was asked to write their dreams and that would be shown to the universe so that in some way their wishes would be fulfilled.  

This performance was based on the belief that "like attracts like" by focusing on positive or negative thoughts, one can bring about positive or negative results. It is based on the idea that people and their thoughts are both made from "pure energy", and the belief that like energy attracts like energy. A circular mirror was used to show their real dream and what actually they can become. The audiences were also given a small card with small mirror attached to it so that they could remind themselves and revisit again and again their actual self and dreams.

Dimple B Shah

2014

Black Fever II - Live Performance - Lagos, Nigeria.

From the Series of Cry from the Dark - Ejigbo, Lagos, December 27th 2013.

This was last performance for the year 2013 on 27th December done in Ejigbo ,Lagos, Nigeria. This was one more performance done on issue of rape crime on women in respect to socio-cultural situation in Lagos especially in Ejigbo area. The core concept was already worked out but I was also improvising to bring in cultural element of Yoruba culture and wanted to do Intervention with local community.

Day before the performance I went for survey of area to fix an ideal spot for my performance in Ejigbo and also to know more about Yoruba culture and intermingle with local in one of discussion with community members one of the member came with outburst of news the leak in YouTube video of local women tortured in Ejigbo it was about how police official handled the situation it was about how one local women was tortured by inserting spices in her private part because she happen to do small crime of stealing small amount of spice in market. This was shocking news and issue of concern so then my thought melt down to same thoughts of justice and humanity and respect to women the issues of rapes violence against women there seems to be no stop for crimes, I made my mind to perform to bring this concern this time I used local traditional hair dress 'Gele' to represent the mass Yoruba girls along with their name written on my face. I asked the local ladies to tie this head dress in public.

Very openly and generously they collaborated in tie headdress on my head and it become spontaneous collaboration with them also some of women also reading out the names as they were written on my face. After thoroughly studying the area I had chosen my spot in one corner where four road meet and where people catch local yellow cabs and it is busy with heavy traffic. The performance was a durational performance went for an hour where I interacted with local people of Yoruba community with audio. I used audio which were circulated through multiple ear phones to my audience and one to one interaction with my audience. The local community very well received my performance and seriously listening to the audio and I had one to one interaction with lots of women, men’s and local people and explained then about my concern many on the main road stopped by to know more about the Performance.

Dimple B Shah
2013

I am - Live Performance, Lagos, Nigeria.

From the Series of Cry from the Dark - UPDC Lekki Estate, Lagos Nigeria, Dec 19th 2013

In recent performance which was done as part of Afiriperfoma International residency in Lagos, Nigeria. The first performance was done in NKEM Gallery in UPDC Lekki Estate in Lagos on 19th December 2013, which was also part of international symposium on Contemporary Performance Art. This work again an extension of my work from Black fever performed in Delhi the national capital.

This performance was done keeping in social and cultural aspect of Nigerian especially in focus to Yoruba culture in mind. This was done with intervention by Nigerian artist who wrote Yoruba names of girls on my face. Visually In this performance I used small baby frock which were stamped with impression of female uterus image on them and with each shout of ' I am…' one name of Yoruba girl was added to my face which marked existence of birth /death and rape crime of each girl every minute in Nigerian scenario overall global scenario. 

In recent statistical report done on rape crime in India it was found that every 20 minute a rape crime happen so we consider in global scenario it might be every minute or even second such crime are inflicted on women. 

This highly alarming rate in which crime happens and it is issue of great concern and also after such crime happen how much is justice done to victims how many criminal are punished and how much a society learn from this what kind of justice is done ? 

What happens to these victims later whether they get respect and dignity in society there are so many such issue which I want my audience to think about. What about their identity and these names punch marks their 'Existence' and which they have to regain their dignity and identity in society.

Dimple B Shah 

2013

BANGALORE GARDENS RELOADED

No Space To Escape -"TO BE OR NOT TO BE"

As the city growing bigger and bigger everyday and more and more people migrating from various parts of the country and making Bangalore as their home. This constant inflow is leading to a very different transition of development that the city is experiencing leaving the city in a chaotic, claustrophobic and suffocating space. Argument can be good development or a bad development but fact remains that the city has changed drastically and slowly becoming the city like others without any identity except being just a concrete habitat. The cityscape of Bangalore has changed to accommodate flyovers, buildings, roads and metro etc. slowly and rapidly replacing greenery with concrete.

This installation work basically evoke the feeling of helplessness of situation ambushed, suddenly attacked like situation where no space to escape and exit (a trap). In this work the audience will be forced to confront the situation which they normally do it in everyday life subconsciously, but here they will consciously face it directly, there by alerting there mind to counter the question and seek for answers.Visually this work is in form of concrete box, inside the box there will be 360 degree view of existing city they live in, which is with cement and other material. the work  bring in main essential characteristic of city in minimal form. The experience within the box (claustrophobic and suffocating space leaving no space to breath) represent the psychological situation of mind the mental space.

Over powering of concrete and its inevitable super imposed presence in our daily life which is symbolically represents mans thought and body slowly turning into concrete form with no space for nature and not being in touch with ourselves. 

The installation is  memorabilia of the changing phase. The smell of concrete initially will attract the audience hiding danger ahead. This work is a presentation of the dilemma - Development (a distortion) – Good, Bad or Necessary. My idea is to bring the attention where we really need to look and what we really need to think about? This work provokes us to question ourselves where we are leading to? Is this road leading to Utopian land or land where there is no space to live?

Dimple B Shah 2013

Milk, Melancholy & Me - Live Performance [Audio & Video] at Venkatappa Art Gallery, Bangalore, 2011

The wise man is not surprised by death

he is always ready to leave.

La Fontaine

This melancholic state is so powerful

that, according to scientists and doctors,

it can attract demons to the body,

even to such an extent

that one can get into mental confusion or get visions.

-Agrippa

Milk, Melancholy & Me, the performance was based on my experience in Mumbai during 2003. The performance was supported by video which was shot in Mumbai at Marine Drive, Chopati Beach. The video in the performance was about my conversation with the sea and myself over the period of 6 months. The  conversation with the sea starts with overwhelming feeling of its greatness and vastness, later on the feeling narrows down to a point of nothingness of self in front of it. The video narrates ones journey in metro city where he/she is isolated in there own world with no trust and faith on anybody and fear of losing self identity and dreams. It talks about struggle of individual who come with big dreams and tries to fit into this big city, searching for his/her own space and owning it. It also talks of emotive aspect like coping up with loneliness and depression which is the byproduct of mega cities. In this video I have shot very few elements like sea, waves, buildings and reflection of lights on waves. The dancing night lights and play of it on the sea bring the melancholic flavor to the video. The constant sound of waves that symbolizes the heartbeat and existence of life, the play of light in the video represents dreams that afloat. In this whole video I have continuously showed only few elements to bring in the essence of time that I have spent.

The visual treatment was the conglomeration of audio, video & my performance. In audio  I was talking about my experience in Mumbai and my journey in the city, act of drawing on canvas (like mapping my journey) and painting my face with black color. During the performance I distributed black balloons to the audience on which I had written "I Am Here", both painting my face and black balloon symbolically representing the darkness within me. I used herbal resin incense [that is used in death rituals in general] since the element of smell was also important in my performance.

The core idea of my performance was to bring in the psychological state of mind of a person, who is in deep state of depression and in melancholic mood, who is in state of isolation and has lost all its positive power to fight back (symbolic to first stage of Alchemical process – Nigredo, this is very well explained by Carl Jung and interpreted Nigredo as the moment of maximum despair, that is a prerequisite to personal development. Nigredo is "The dark night of the soul". He says "Right at the beginning you meet the dragon, the Chthonic spirit, the devil or, as the alchemists called it "The Blackness", the Nigredo and this encounter produces suffering" It brings the ego into contact with what it fears).

The performance had both existential feeling and melancholic tone. This performance act is a healing process for me and to my audience. In audio there are two people talking one is doctor who hypnotizes his patient and the other voice is mine, who is the patient and takes the journey to the past. (This conversational format was sourced from psychotherapy session and psychoanalysis and expressed here as metaphor. A doctor usually lets the patient speak and listens without judgment, later offering gentle insights and suggestions. Sporadically there occur precious & magical ‘Frozen Moments’, named so by the Jungian therapist Beverly Zabirskie, when boundaries between the patient and the doctor dissolve and in their shared warmth immobilized random traumas of childhood melt away to enable mutual healing). I concluded my performance by the act of pouring milk on my face and this ritualistic act symbolized healing. I am thankful to Smitha Cariappa to give me an opportunity to perform.

Contemporary Voices - Compiled from interviews by Waswo X. Waswo

In early August I asked a selection of younger artists to talk about their work via answering a short questionnaire. All of these artists have been, or currently are, highly involved with printmaking as a medium. The artists questioned were: B. Karuna, Dhruv Sonar, Dimple Shah, Jagadeesh T.R., Kurma Nadham, L.N. Bhuvaneshwari, Maripelly Praveen Goud, Prathap Modi, Moutushi, Neeraj Singh Khandka, Prabhakar Alok, Preeti Agrawal, Rajan Fulari, Rajesh Deb, Soghra Khurasani, and Srikanta Paul. Below are selections from their varied responses.

L.N. Bhuvaneshwari:  My imagery has often been things like motorcycles and ceiling fans. Reality can never be completely reproduced, so I grew curious about what happens to the essence of an image when it is bent and squiggled by the human hand. The cement and metal plants of a factory, the automobiles...hard iron and jagged-edged reality gained strangely soft edges when isolated from their harsh surroundings. But my fascination with machines didn't end there. In some ways they seemed essential, in others, senseless. Reality became fraught with uncertainties, paradoxes, limited joys and infinite anguish, all speeding towards an unknown direction, a symbolic representation of human progress, destructibility, creative goodness and its inherent evil. Carving, etching and printing became to me a means of seeking harmony and integration.

Maripelly Praveen Goud:  I am more fascinated with science, technology and mathematics. I use science diagrams, schematic drawings, circuits, electrical elements and other images in my prints. I started working on portraits (the black portrait series) and gradually made them more conceptual. Always my works questioned “originality”. For example, one of my prints which is titled MODERNIZATION, tells how culture and tradition is slowly vanishing in villages and technology is reaching almost everywhere. This is partially personal experience because I myself migrated from a village to the cities.